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The GSS Cinema Pro+
The GSS Cinema Pro+, formerly known as the C520, is the smallest and lightest gimbal in its class and supports the most popular cameras and lenses in the marketplace. This gimbal goes above and beyond competitors with fast installation time, a weather-sealed shell and the ability to house today’s most popular camera and lens configurations.
Weighing in at 85 pounds (without payload) and a width of 20 inches, this gimbal accommodates large cinema cameras and lenses for projects in all environments. The system has been used at sub-freezing temperatures above 24,000 feet in the Himalayas and in the sweltering heat in the Emirati desert. Unlike competitors, the Cinema Pro+ is completely sealed for safe operation in adverse climates.
Like all GSS gimbals, no gimbal tech is required for installation. Save time and money with our interchangeable systems, and swap between cameras like the Arri Alexa 65, Alexa SXT, Alexa LF, Sony Venice (and many others!) with hundreds of lens options within 30 minutes. This package can fly on a single pole mount, which will also save considerable time and money when compared to shipping, installing and using a dual pole mount.
With an expanded elevation of 30° to -205° from horizontal and six-axis of gyro-stabilized movement, the Cinema Pro+ has the most wide-ranging capabilities yet and may be operated in both standard and inverted mode. With VectorSteering™ look-down technology there is no gimbal lock.
Even with its large-scale capabilities, this gimbal still flies conveniently as excess baggage without ITAR or EAR export restrictions and easily breaks down to 70 lbs/32 kg per box in about one hour.
We have designed our future-proof open architecture systems to be compatible with upgrades as gimbal, camera and lens technologies evolve.
For all of the Cinema Pro+ details, check out the complete specs for more information about its expanded, interchangeable camera and lens options.
Download the complete specs here.
Fitting the DNA of Teton Gravity Research
Earlier this year, GSS client Teton Gravity Research, an action sports media company, shared this custom feature about their journey with GSS their new GSS Cinema Pro +, and we are so proud to see our gimbal in these incredibly versatile projects.
“GSS really fits our DNA. It’s the best five-axis gimbal in the world.”
– TGR Co-Founder Todd Jones
TGR formed more than two decades ago and since created thirty-two sports culture-focused films with no signs of stopping.
Check out how TGR uses their GSS gimbal to capture winter sports across the globe in the video above and learn more about their award-winning films here.
Learn more about the Cinema Pro + and it’s capabilities here.
Aerial Camera Systems meets the Cineflex Pro +
GSS customer Aerial Camera Systems received their first GSS Cineflex Pro + this summer and inaugurated their new gimbal at this year’s Wimbledon Championships.
This system is contoured with the Grass Valley LDX-C86N Compact Camera and Canon CJ45 lens. For the first time, the Cineflex Pro + will help capture the legendary hoisted aerial shots of the All England Club in UHD/HDR. GSS’s newest customer has added to their state of the art gimbals and will now have the option of using their GSS Cineflex Pro + or Cineflex gimbals for various broadcast projects.
“We’re delighted to add the Cineflex Pro + to our inventory of stabilized gimbals. We’ve made some significant investments in equipment this year, recognizing the growing demand for 4K UHD formats.”
Operations Director Dave Whitlock
We look forward to the content ACS will release in the future with their new GSS gimbal, which will allow them to take on new payloads and revolutionize camera stability in the European market. ACS plans to use the Cineflex Pro + at upcoming sporting events this August.
Learn more about the Cineflex Pro + and all its capabilities here.
If you’re located in England, rent ACS gimbals and learn more about past projects from the Royal Wedding, Commonwealth Games and more at aerialcamerasystems.com.
The GSS Cinema Pro Gimbal
Formerly the GSS C516, the Cinema Pro handles the most popular medium-sized cinema cameras with ease. Similar to the Cinema Mini, its six-axis look-down extends filming capabilities without gimbal lock. An expanded width of 16 inches allows this gimbal to accommodate larger interchangeable lenses.
For increased precision and accessibility, the Cinema Pro features a geo-pointing option as well as GroundControl™ for wireless, bi-directional gimbal control.
Like the GSS Cinema Mini, this mid-sized, 60-pound gimbal is travel-friendly and still small enough to ship as excess baggage with no ITAR or EAR export restrictions.
Within 30 minutes, interchange lenses from the Canon Cinema Series, Zeiss Master Primes, Optimo wide zooms and more.
Interested in all of the Cinema Pro’s capabilities? Download the complete specs for more information about weight, dimensions, camera options and more.
VIEW AND DOWNLOAD THE FULL SPECS HERE
CONTACT US TODAY FOR A QUOTE
The GSS Cinema Mini Gimbal
Ideal for today’s most popular payloads, the GSS Cinema Mini is the smallest, lightest gimbal capable of handling the Arri Alexa Mini and RED Weapon with a lens up to a Canon 50-1000.
Whether your project requires aerial, ground vehicle or marine mount, the Cinema Mini is the most versatile option for your production. Between its six-axes of movement and a weight of only 38 pounds plus payload, this gimbal is small but mighty.
The Arri Alexa Mini and RED Weapon will shoot flawlessly with the GSS Cinema Mini's stabilized horizon, protected from a variety of environments within the sealed system. Thanks to VectorSteering™, sixth-axis look-down is possible without gimbal lock.
With high-speed fiber optics, wireless capability and metadata outputs, this gimbal is well equipped for the most demanding jobs!
On top of that, the camera and lenses are interchangable within minutes. When it’s time to make a system upgrade, the Cinema Mini is fully upgradable to support your payload needs and changes.
The GSS Cinema Mini is compatible with upcoming new accessories, including the rain deflector and heat dissipating covers.
Looking for more details about the Cinema Mini’s dimensions, lens options and more? Download the full specs below for a complete look at everything it has to offer.
VIEW AND DOWNLOAD THE COMPLETE SPECS HERE
CONTACT US TODAY FOR A QUOTE
GSS Used In The French Rally Championship
This past May, the GSS Cineflex gimbal was used to film the 53rd Antibes Côte d’Azur Rally of the French Rally Championship. More than 170 teams raced cars during the Antibes portion of the championship from May 18 to 20 in Juan-les-Pins.
Mikko of Mikko Aerial operated the gimbal system alongside Pilot, Manuel Benitou. The pair have previously combined efforts for documentaries, movies, advertisements and sporting events.
The team filmed with a RED Helium and a Canon 30-300mm lens, and a Sony HDC 1500 HD with the Fujinon 25-1100mm lens.