Blog
Into the Wild with Teton Gravity Research
GSS client Teton Gravity Research hit the ground running after their big win in December for the Powder’s Movie of the Year Award, for their film “Far Out.” This year, they continue to create incredible content with their GSS gimbal… Here’s a look into the history of TGR.
Started in 1995 by Steve Jones and Todd Jones, TGR set out to highlight the wildest sports on a global front. From surf to snow and everything in between, TGR wants to push boundaries and capture incredible stunts while also limiting their environmental impact. Through the production of thirty-two films, including their incredible 2018 releases “Ode to Muir,” “Mountain in the Hallway,” “Far Out,” and “Andy Iron: Kissed by God,” TGR has balanced on the edge of extreme with a passion for progress and awe of the world.
One of their coolest projects, “Far Out,” captures the athlete’s intensity to take on the world’s wildest slopes, from the Slovenian Alps, Alaska, Montana and more. Below are some of our favorite pictures and clips from TGR’s adventures.
Take a trip to Montana's Crazy Mountains during shooting for “Far Out.”
Fly over the Chugach Range.
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Aerial Cine Group Showcases Corail Helicopters
Journey to the stunning island of Mauritius in the latest video from Aerial Cine Group. Flying alongside Corail Helicopters, the island-based tour guides in the Caribbean and off the coast of South Africa, Aerial Cine Group explores the lush landscape off the eastern coast of Africa.
The video in this shoot was captured by Aerial Cine Group with our GSS 516 Red Helium and Angenieux Optimo 25-250. The results are phenomenal. This was a great way to market Corail Helicopters.
Aerial Cine Group, the Emmy-winning, Belgium-based aerial filming team, has gone global. You may have seen their work from the Red Bull Air Racing in Abu Dhabi, sailing in Miami, car chasing in Amsterdam, and more.
See more of Aerial Cine Group on Instagram @aerial_cine_group!
USAF Goes Gyro-Stabilized in Weapons Test
This past December, the U.S. Air Force released footage of a successful Flight Test Integrated-03, also known as FTI-03, shot with a GSS Cinema Pro gimbal. Watch the footage here.
Filmed with a Red DSMC2 Helium and a Canon 50-1000mm lens for day footage along with stunning night footage via a Midwave Infrared Camera, the video captured combined efforts of the Missile Defense Agency and the U.S. Navy.
The team operated the Aegis Ashore Missile Defense Test Complex based out of the Pacific Missile Range Facility in Kauai, Hawaii. According to Mark Wright of the Missile Defence Agency, “This was an operational live fire test demonstrating the Aegis Weapon System Engage On Remote capability to track and intercept an Intermediate Range Ballistic Missile (IRBM) target with an Aegis Ashore-launched Standard Missile-3 (SM-3) Block IIA interceptor.”
It is incredible to see so many different purposes and projects with GSS in action. We are proud to represent the U.S. military in their defense exercises.
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Fitting the DNA of Teton Gravity Research
Earlier this year, GSS client Teton Gravity Research, an action sports media company, shared this custom feature about their journey with GSS their new GSS Cinema Pro +, and we are so proud to see our gimbal in these incredibly versatile projects.
“GSS really fits our DNA. It’s the best five-axis gimbal in the world.”
– TGR Co-Founder Todd Jones
TGR formed more than two decades ago and since created thirty-two sports culture-focused films with no signs of stopping.
Check out how TGR uses their GSS gimbal to capture winter sports across the globe in the video above and learn more about their award-winning films here.
Learn more about the Cinema Pro + and it’s capabilities here.
Aerial Camera Systems meets the Cineflex Pro +
GSS customer Aerial Camera Systems received their first GSS Cineflex Pro + this summer and inaugurated their new gimbal at this year’s Wimbledon Championships.
This system is contoured with the Grass Valley LDX-C86N Compact Camera and Canon CJ45 lens. For the first time, the Cineflex Pro + will help capture the legendary hoisted aerial shots of the All England Club in UHD/HDR. GSS’s newest customer has added to their state of the art gimbals and will now have the option of using their GSS Cineflex Pro + or Cineflex gimbals for various broadcast projects.
“We’re delighted to add the Cineflex Pro + to our inventory of stabilized gimbals. We’ve made some significant investments in equipment this year, recognizing the growing demand for 4K UHD formats.”
Operations Director Dave Whitlock
We look forward to the content ACS will release in the future with their new GSS gimbal, which will allow them to take on new payloads and revolutionize camera stability in the European market. ACS plans to use the Cineflex Pro + at upcoming sporting events this August.
Learn more about the Cineflex Pro + and all its capabilities here.
If you’re located in England, rent ACS gimbals and learn more about past projects from the Royal Wedding, Commonwealth Games and more at aerialcamerasystems.com.
The GSS Cinema Pro Gimbal
Formerly the GSS C516, the Cinema Pro handles the most popular medium-sized cinema cameras with ease. Similar to the Cinema Mini, its six-axis look-down extends filming capabilities without gimbal lock. An expanded width of 16 inches allows this gimbal to accommodate larger interchangeable lenses.
For increased precision and accessibility, the Cinema Pro features a geo-pointing option as well as GroundControl™ for wireless, bi-directional gimbal control.
Like the GSS Cinema Mini, this mid-sized, 60-pound gimbal is travel-friendly and still small enough to ship as excess baggage with no ITAR or EAR export restrictions.
Within 30 minutes, interchange lenses from the Canon Cinema Series, Zeiss Master Primes, Optimo wide zooms and more.
Interested in all of the Cinema Pro’s capabilities? Download the complete specs for more information about weight, dimensions, camera options and more.
VIEW AND DOWNLOAD THE FULL SPECS HERE
CONTACT US TODAY FOR A QUOTE
The GSS Cineflex Pro Gimbal
Optimized for broadcast use, The Cineflex Pro is the smallest and lightest system in the world, weighing 35 lbs or 15.8 kgs plus payload, that can hold today's most popular Broadcast payloads!
The GSS Cineflex Pro is the only system in the world that can hold the following payloads without having to repackage:
- Sony P43 4K with 45x-46x (No camera repacking necessary)
- GV c86n 4K with 45-46x (No camera repacking necessary)
- Ikegami HDL-F3000 with 45x-46x (No camera repacking necessary)
- Sony HDCP-1/3 with 45x-46x (No camera repacking necessary)
(Other camera and lens options are available as well - ask us about yours!)
The Cineflex Pro is just one of the GSS 5-axis gimbals from the Cineflex Broadcast Series. The Cineflex Pro beats out competitors and is ideal for major-market ENG clients and live broadcast applications. Compatible with lighter helicopters like the Bell 505, Robinson R44 and R66, it is fully upgradeable and functions with existing air and ground mounts.
Take advantage of top features including VectorSteering™ look-down with no gimbal lock, isolated electronics for eliminated video noise and optional internal IMU for Geo-pointing with a moving map interface and Virtual Reality Overlays.
Its compact size of 13.8 inches wide and 19 inches tall combined with the small platform size allows this gimbal to be transported as excess baggage without ITAR or EAR export restrictions, making shipping easily accessible.
To learn more about the Cineflex Pro, click here to download and see the complete specs and features.
If you haven’t purchased yours yet, contact us today for the best broadcast gimbal available.
GSS Used In The French Rally Championship
This past May, the GSS Cineflex gimbal was used to film the 53rd Antibes Côte d’Azur Rally of the French Rally Championship. More than 170 teams raced cars during the Antibes portion of the championship from May 18 to 20 in Juan-les-Pins.
Mikko of Mikko Aerial operated the gimbal system alongside Pilot, Manuel Benitou. The pair have previously combined efforts for documentaries, movies, advertisements and sporting events.
The team filmed with a RED Helium and a Canon 30-300mm lens, and a Sony HDC 1500 HD with the Fujinon 25-1100mm lens.