Blog
GSS at Cine Gear 2019
Cine Gear 2019 was a success yet again! Paramount Studios was an incredible venue to meet and greet both new and familiar faces. As always, we are so grateful to be part of this talented community. It was such a pleasure to catch up with friends and show off GSS tech in Los Angeles!
We can’t give enough thanks to Nathan Garofalos of Incline Dynamic Outlet, Patrick Longman from Active Camera Systems, and both Rob Drewett and Adam Sculthrop from Motion Impossible for the booth support. There’s nothing like working alongside friends and true experts in the field.
We’ll see you next year!
Into the Wild with Teton Gravity Research
GSS client Teton Gravity Research hit the ground running after their big win in December for the Powder’s Movie of the Year Award, for their film “Far Out.” This year, they continue to create incredible content with their GSS gimbal… Here’s a look into the history of TGR.
Started in 1995 by Steve Jones and Todd Jones, TGR set out to highlight the wildest sports on a global front. From surf to snow and everything in between, TGR wants to push boundaries and capture incredible stunts while also limiting their environmental impact. Through the production of thirty-two films, including their incredible 2018 releases “Ode to Muir,” “Mountain in the Hallway,” “Far Out,” and “Andy Iron: Kissed by God,” TGR has balanced on the edge of extreme with a passion for progress and awe of the world.
One of their coolest projects, “Far Out,” captures the athlete’s intensity to take on the world’s wildest slopes, from the Slovenian Alps, Alaska, Montana and more. Below are some of our favorite pictures and clips from TGR’s adventures.
Take a trip to Montana's Crazy Mountains during shooting for “Far Out.”
Fly over the Chugach Range.
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NAB 2019
We’re relishing in the success of this year’s National Association of Broadcasters Show! Thank you to everyone who visited our booth. This was definitely the most exciting NAB Show for GSS to date.
If you didn’t attend, you missed out on some major showstoppers at our booth! It was a privilege showing off our systems alongside our talented partners and clients, including the Sony HDC-P50 4K broadcast camera, the Canon 45X 4K and Fujinon 46X 4K broadcast lenses, and the XD Motion X Fly Vertical and Tethered Drone. Of course, Incline Dynamic Outlet’s incredible Huracam camera car raced in and took everyone’s breath away.
We also had the opportunity to bring out our 2001 original Cineflex V14. Our gimbals have come a long way, and this design has truly stood the test of time. This system marked the beginning of the Cineflex legacy and still continues today in our broadcast line of products!
This year continues to look bright! What are we excited for? Expect to see low-light broadcast cameras and augmented reality overlays change the game even further for live sports and electronic news gathering market segments.
If you couldn’t make this year’s NAB Show, we know we’ll see you at NAB 2020! Stay in-the-know by signing up for our email list below!
Aerial Cine Group Showcases Corail Helicopters
Journey to the stunning island of Mauritius in the latest video from Aerial Cine Group. Flying alongside Corail Helicopters, the island-based tour guides in the Caribbean and off the coast of South Africa, Aerial Cine Group explores the lush landscape off the eastern coast of Africa.
The video in this shoot was captured by Aerial Cine Group with our GSS 516 Red Helium and Angenieux Optimo 25-250. The results are phenomenal. This was a great way to market Corail Helicopters.
Aerial Cine Group, the Emmy-winning, Belgium-based aerial filming team, has gone global. You may have seen their work from the Red Bull Air Racing in Abu Dhabi, sailing in Miami, car chasing in Amsterdam, and more.
See more of Aerial Cine Group on Instagram @aerial_cine_group!
HAI Heli Expo 2019
GSS team members commit themselves to sharing our knowledge and expanding the incredible industry opportunities. What better place to do so than Helicopter Association International’s 2019 Heli Expo?
GSS Managing Director Jason Fountaine and Vice President of Sales Nick Ricciardi exhibited this year in Atlanta and had the chance to meet with industry customers, supporters, and friends. We are always grateful to share our systems with members of the helicopter industry and expand our network. The heli industry has been the largest proponent of our systems to date, and we look forward to new opportunities within the broadcast/ENG, utility inspection, and surveillance markets for gimbals. It’s a very exciting time to work with this tech!
While HAI’s membership has grown dramatically since its inception in 1948, its mission has stayed the same. Nearly 20,000 experts gathered this season to share knowledge, focus on safety standards, and of course, show off awesome new systems within the helicopter industry. We are truly fortunate to exhibit with the best in the business and can’t wait for next year!
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USAF Goes Gyro-Stabilized in Weapons Test
This past December, the U.S. Air Force released footage of a successful Flight Test Integrated-03, also known as FTI-03, shot with a GSS Cinema Pro gimbal. Watch the footage here.
Filmed with a Red DSMC2 Helium and a Canon 50-1000mm lens for day footage along with stunning night footage via a Midwave Infrared Camera, the video captured combined efforts of the Missile Defense Agency and the U.S. Navy.
The team operated the Aegis Ashore Missile Defense Test Complex based out of the Pacific Missile Range Facility in Kauai, Hawaii. According to Mark Wright of the Missile Defence Agency, “This was an operational live fire test demonstrating the Aegis Weapon System Engage On Remote capability to track and intercept an Intermediate Range Ballistic Missile (IRBM) target with an Aegis Ashore-launched Standard Missile-3 (SM-3) Block IIA interceptor.”
It is incredible to see so many different purposes and projects with GSS in action. We are proud to represent the U.S. military in their defense exercises.
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The Clients of GSS
What does it take to create the incredible documentaries you watch on The BBC, Discovery Channel and more? It starts with the best tech, outstanding customer service and state-of-the-art designs from a dedicated team. But don’t just take our word for it. Listen to these client testimonials from the most talented crews in the aerial cinematography industry.
“They are a step above...”
It’s all about the problem-solving abilities for Aerial Photographer Christian Turner from the US Air Force and Media Fusion. Our high-quality gimbal designs and 24/7 customer service speak for themselves, allowing Christian Turner to continue to capture the fastest aircraft around.
"It just made sense."
Emmy-winning Aerial Cameraman Skip Margetts of Helimedia wanted a partnership, not a sales pitch. With the ability to interchange cameras and lenses, Helimedia has created stunning footage on the Cape Town front for movies like Chappie (2015) and District 9 (2009) for over a decade.
“GSS is a group of excellence."
For IDO Aerials Co-Owner and Director of Photography Nathan Garofalos, accountability and consistency are crucial, and we can understand why. Since 2014, Incline Dynamic Outlet has created footage for the industry's biggest filmmakers: National Geographic, Warner Bros. Pictures and more.
“GSS has definitely set the bar high.”
Aerial Photographer Chris Higgins of the Edwards Air Force Base says his relationship with the GSS team boosts productivity. That engaging customer service really counts and makes a difference when he’s taking on the skies and capturing footage at jet speed.
"They care about my success."
Just like Winged Vision Founder Bob Mikkelson said, we do what others won't. Our partnership helps him capture awesome sporting event coverage of NASCAR, NHL, NFL and more. With stable footage, he gets in on the action both from land and in the air.
"GSS is a partner who we trust, and it works."
Alexander Brozek of CAMCAT-Systems agrees. GSS takes the time to answer questions. CAMCAT takes the European market by storm, taking on the 2017 British Golf Open and more with their remote-controlled cable system designed for aerial footage captures.
“It’s cutting edge, state of the art.”
Straight from Rogue Aviation Co-Owner Matt Barnes and Creative Director and Aerial Cinematographer Cory Hill, GSS is a family. Rogue Aviation has shot aerial work for The Mint 400 race and Pacific Flight Aviation flight school, and has been featured in commercial ads for all kinds of businesses and brands, like DuPont, BMW, and even in music videos!
Our amazing clients are the reason we do what we do. The art they continue to create inspires us to consistently innovate our gimbals for the best service and quality available.
See more testimonials here.
The GSS Cinema Pro+ captures United Arab Emirates National Day
Here’s one way to celebrate! In honor of December’s United Arab Emirates National Day and the life of Sheikh Zayed bin Sultan Al Nahyan, an aircraft formation flew over Dubai in a spirit of unity, captured by a GSS Cinema Pro+!
In a collaboration between Navigation Films and Blue Sky’s Peter Degerfeldt, the plane formation, complete with eleven aircraft from Emirates, Etihad, Fly Dubai, Air Arabia and the Al Fursan Air Display Team, showcased color and teamwork in a course chartered by Sheikh Zayed. From the vantage point of an L39 Jet via the Baltic Bees, the video soared over Dubai and aircraft emblazoned with “Year of Zayed.”
The video, directed by Mike Charlton and produced by Akash Kingston, contains jet footage by Peter Degerfeldt and GSS technician Vicky Degerfeldt. Thanks to the Baltic Bees team members Valery Sobolev, Anatolij LIsenkov and Artyom Soloduha, this incredible fleet came to life.
UAE National Day celebrates the joining of the seven emirates in 1971 and the first president, Sheikh Zayed, typically celebrated with fireworks and air shows.
This was an amazing capture by Blue Sky Aerials and Navigation Films. We are so proud to see our technology used in ways that continue to push and innovate the filming industry!
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Award-Winning Teton Gravity Research
Last year, Teton Gravity Research created an awesome new project with their Cinema Pro+ and took home Powder’s Movie of the Year Award.
Their film Far Out goes global, from the Albanian Alps to Girdwood, Alaska. What do the world’s most wild mountain ranges have to offer? More than 30 of the most daring bike, ski and snowboard athletes find out. This epic chronicle took one of the coveted awards during Powder Magazine’s 19th Annual Powder Awards in December, an event which honors the best athletes and artists in the ski community.
Check out the trailer for Far Out below.
We are a proud sponsor of this film. As we have seen time and time again with dozens of the team’s incredible films, TGR never fails to deliver. Our client’s amazing work inspires us to push gimbal technology to new levels so they can achieve new perspectives.
A huge congrats to the TGR crew on this awesome win!
What will TGR create next? Be the first to know by following us on Instagram and Facebook!
GSS 5-Axis Gimbals: Best of Broadcast
If you’re part of the broadcast industry, you know how crucial a small, lightweight gimbal is. Whether you’re traveling with your system or operating at high speeds, you’ll need a gimbal that can keep up. Between aerodynamics and the light weight, the Cineflex Series sets the bar for five-axis systems, making it the prime choice for your broadcast filming needs.
Our 5-axis gimbals offer increased ground clearance and a roomier internal space for a wider range of camera and lens in a small but mighty package. Consistent travelers and creative camera operators prefer this for its optimal aerodynamics, increased aircraft mounting options and the ability to ship as excess baggage.
Our 5-Axis systems use VectorSteering™ to avoid automatic gimbal lock. New mechanical and software design allows a wider range of motion than anything seen before. There’s a reason the GSS Cineflex series is the preferred gimbal of its class; its capabilities are unmatched.
View the entire Cineflex Series here.
Beyond The Helicopter: GSS Custom Design Services
Gimbals should go above and beyond the standard helicopter. When your project requires ground rigging from a ship or truck, as filmed during Deadliest Catch or a Teton Gravity Research project, a custom design should be within reach.
“We have mounted the C520 (Cinema Pro+) on cars, trucks, boats and small 4-wheel drive vehicles,” says Co-Founder, Executive Producer & Co-Director of Teton Gravity Research, Todd Jones.
“You can have it on a truck in the morning and move it onto a helicopter in under an hour.”
Decades of experience allow GSS engineers to develop gimbal systems which accommodate custom designs. We design every model with room for modifications as camera and lens technologies change and integrate systems to your needs.
After purchasing your gimbal, contact GSS who, along with companies including Paradigm SRP LLC, can develop unique systems fitted for your production, surveillance or broadcast needs.